Warped History: The Roots of Dylann Roof's Racism Go Deep
The Nation -- July 20/27, 2015

This issue marks the 150th anniversary of The Nation, a magazine founded, in part, to secure equality for emancipated slaves and their descendants. Sadly, recent events demonstrate that the United States remains a long way from that goal.

Dylann Roof, the accused murderer of nine men and women in the Emanuel AME Church in Charleston, is clearly a disturbed individual. Yet the language he drew on to justify his crime demonstrates the enduring power of historical myths and memories. Before opening fire on his victims, Roof reportedly explained his actions by saying, "You are raping our women and taking over the country." This supposed need to save white women from black rapists has deep historical roots. It was invoked to legitimate the violent overthrow of Reconstruction, the nation's first experiment in interracial democracy. Black victims of lynching in South Carolina and elsewhere were often described as rapists, even though, as the anti-lynching crusader Ida B. Wells pointed out, in nearly every case the accusation was a "bare lie." A black rapist was a pivotal figure in The Birth of a Nation, the 1915 film that glorified the Ku Klux Klan. Claude Bowers's influential 1929 history of the post-Civil War years, The Tragic Era, described rape in the South as the product of the political rights blacks achieved during Reconstruction—a ludicrous statement in view of the countless black women who suffered sexual assault under slavery. Roof's complaint that blacks were "taking over" the state echoes justifications for racist violence during and after Reconstruction and the disfranchisement of black voters in the 1890s.

Roof has a sense of history, warped though it may be. He claims to have read "hundreds" of slave narratives, all demonstrating, to his satisfaction, how benevolently slaves were treated—an idea long discredited by historians but still encountered on white supremacist websites and conservative talk radio shows. He not only had himself photographed with the flags of the Confederacy, apartheid South Africa, and Rhodesia during its short-lived period of independence under white domination, but at a slave plantation. He knows enough to have chosen the Emanuel Church, long a vital center of black life and politics, to strike his blow against the black community.

Emanuel was not only the place of worship of Denmark Vesey, who plotted a slave insurrection in Charleston in 1822, but of the Reverend Richard H. Cain, who occupied Emanuel's pulpit during Reconstruction. Like his successor and murder victim Clementa Pinckney, Cain used the church as a springboard to public service, including a term in the State Senate, where he worked to provide former slaves with access to land. Later, as a member of Congress, Cain rebuked a white Representative who referred to slavery as a civilizing institution for black "barbarians" (not unlike Roof's outlook). His colleague's concept of civilization, Cain replied, seemed to amount to little more than "the lash and whipping post." Unlike Pinckney, Cain did not fall victim to violence, but he and his family lived "in constant fear" and his home was guarded day and night by armed men.

I have taught in South Carolina and lectured in the state numerous times. I have unfailingly been treated with courtesy and respect. Roof does not speak for all the white people in the state. Nonetheless, South Carolina has never really come to terms with its tortured history. Here are a few highlights of the state's extreme pro-slavery, white supremacist past. In 1776, South Carolina delegates to the Continental Congress forced Thomas Jefferson to remove a clause condemning slavery from the Declaration of Independence. In 1787, South Carolinians were primarily responsible for the Constitution's fugitive slave clause and provision allowing the importation of slaves from abroad to continue for twenty additional years. Until 1860, a tight-knit coterie of plantation owners controlled the state; they did not even allow the white citizens to vote in presidential elections (the legislature chose the state's members of the Electoral College).

Before the Civil War, South Carolina was one of two states, along with Mississippi, where nearly a majority of white families owned slaves, and had the largest black majority in its population (nearly 60 percent in 1860). This combination produced a unique brand of extremism in defense of slavery. The state was the birthplace of nullification, the first to secede, and the site of the first shot of the Civil War. During Reconstruction, black Carolinians enjoyed a brief moment of civil equality and genuine political power, but this ended with a violent "Redemption," followed by decades of Jim Crow. More recently, South Carolina led the southern walkout from the 1948 Democratic National Convention to protest a civil rights plank in the party's platform and supported its native son, Strom Thurmond, who ran as the "Dixicrat" candidate for president. In 1964, it was one of five states of the Deep South to vote for Barry Goldwater, paving the way for the Republicans' "southern strategy" of appealing to white resentment against black civil rights gains.

Nor is the Charleston massacre the only instance of mass murder of South Carolinian blacks. During Reconstruction the Ku Klux Klan launched a reign of terror in parts of the state that led to dozens of deaths. The Hamburg Massacre of 1876, where several blacks were murdered in cold blood, was a crucial step in the overthrow of Reconstruction. At Orangeburg in 1968, officers of the state highway patrol killed three black college students and wounded over twenty others. Unfortunately, this incident has been largely forgotten, unlike the killings of white students two years later at Kent State.

Ideas about history legitimate and shape the present, and public presentations of history tell us a great deal about a society's values. As in other southern states, statues of Confederate generals, Klansmen, and segregationists dot the South Carolina landscape. Although a statue was erected recently in Charleston to Denmark Vesey, and historic sites like Drayton Hall plantation and the National Park Service's Fort Sumter site have revised their presentations to deal directly with the black experience, South Carolina has no monument to the victims of slavery and hardly any to black leaders of Reconstruction or other eras. It took until 1998 for a portrait of Jonathan J. Wright, who served during Reconstruction as the first African-American justice of the South Carolina Supreme Court, to join the paintings of all the state's white justices in the court building.

This warped public display of history confronts South Carolinians, white and black, every day with a stark message about who rules the state. South Carolina's leaders cannot abolish the hate that spews forth on the Internet. But if they are serious about changing the way the state remembers and represents its history, let them erect not only a memorial to Reverend Pinckney and the other victims, but also statues of the black leaders of Reconstruction and of courageous figures of the civil rights era such as Levi Pearson, who in 1947 filed suit against his child's school district to protest the inadequate funding of black education and saw his home attacked in retaliation.

The burgeoning movement to take down the Confederate flag in South Carolina and other states is an important first step. Even after it is gone, however, the public display of history in South Carolina will remain biased and one-dimensional. That, among many other things, needs to change.